Contents • • • • • • • • • • Recording [ ] The album is focused on the core trio of, and, who were the remaining members of rock group. The Move were still releasing singles in the UK at the same time as this project was undertaken, but interest was soon to be abandoned in Wood's former band. The sound is unique on this recording in comparison to the more slickly produced ELO albums of the subsequent Lynne years, incorporating many wind instruments and replacing guitar parts with heavy, 'sawing' cello riffs, giving this recording an experimental ' feel; indeed, 'The ' is the most -influenced track on the album. On this track, Roy Wood, in addition to playing virtually all the instruments, had to provide the percussion as well because Bev Bevan, normally the group's percussionist and drummer, refused to play on the track because of his low opinion of it. Release [ ] Professional ratings Review scores Source Rating C+ Consumer Guide B- 3/5 'Queen of the Hours', which became the to ' from the band's, was the first ever ELO published song, released by Harvest Records in November 1971 in a compilation called The Harvest Bag which featured various Harvest records artists. The original LP was mixed in but was only released in this format in South America.

• M Though released in November 1976, it actually became a charting hit for the year 1977. • N Though released in November 1977, it actually became a charting hit for the year 1978. Peak positions on other US Billboard charts [ ] Year Title Album 1978 ' 12 – 1980 ' – 2 1981 ' - ELO 2 – 1983 ' - E.L.O.

Electric Light Orchestra – The U.K. Singles Volume One: 1972-1978 will be released via Legacy Recordings on September 21st. The set focuses on ELO’s early material and rarities that were originally available to U.K. List of all Jeff Lynne's ELO tickets and tour dates for 2018. Jeff Lynne's ELO with Electric Light Orchestra and Jeff Lynne Madison Square Garden, New York.

'10538 Overture' (acetate version) 5:24 3. 'Look at Me Now' () 3:19 4. 'Nellie Takes Her Bow' (quad mix) 5:59 5. 'Battle of Marston Moor (July 2nd, 1644)' (quad mix) 5:55 6. 'Jeff's Boogie No. 2' (live) (early version of 'In Old England Town') 6:58 7. 'Whisper in the Night' (live) 5:45 8.

I would have to say that together, Jeff and myself made my original dream into a reality. If I am to be honest, I sincerely love him for it.'

• Bruce Eder.. Retrieved 2016-01-14.

The songs on ELO 2 are long. Not 'Sad-eyed Lady of the Lowlands' long, but longer than 'Hey Jude.' There are only five songs on the album. Speaking of song length, one really interesting fact is about the length of 'From the Sun to the World.' The song on vinyl is 8:20.

'Look at Me Now' () Roy Wood 3:17 3. 'Nellie Takes Her Bow' (Lynne) Jeff Lynne 5:59 4.

The sun was going' down,there was music all around It felt so right. It was one of those nights,one of those nights when you feel the world stop turnin',you were standing There,there was music in the air.I should have been Away,but I knew I'd have to stay. Last train to London,just headin' out, Last train to London,just leavin' town. But I really want tonight to last forever I really wanna be with you. Let the music play on down the line tonight.

Yet now with their iconic status and energetic live show attracts audiences from around the globe. Recently reunited, the band performed a packed out set at Hyde Park to thousands of revellers who had waited patiently to hear classics such as '10538 Overture' and 'All Over The World'. Despite the band not having performed live since 2001 they sound polished and slick and the time away has clearly not affected their enthusiasm. Jeff Lyne is a fantastic frontman and conducts his audience is mass singalong to the likes of 'Telephone Line'. One track that was left off the setlist was their film score collaboration with Olivia Newton John 'Xanadu' yet fingers crossed it will appear on the upcoming world tour. Luckily their most famous track 'Mr. Blue Sky' brought the main set to a euphoric end as the crowds danced and sang under the balmy British summer sun.

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Many of these 'quad' tracks appeared with the SQ encoding intact on the 'First Light' series edition of the album and on a later double-CD release entitled Early ELO, 1971–1974 (available only as an import in the US). The entire 'quad' version with SQ encoding intact has since been released on disc 3 of the Harvest Years compilation. The original album art was designed by and the photographs of the band on the back of the album cover, dressed in seventeenth century period costume, were taken at the, adding to the Baroque flavour and emphasis on found on the record. ' was intended to be the second single from the album, but was subsequently withdrawn. The edited single version made its first appearance on the 2005 compilation album Harvest Showdown instead.

• H Actually charted in the chart. • I Promo DJ single. • J Single available as a digital download and promo format. • K B-side 'Buildings Have Eyes' peaked at number 9 in Poland. • L B-side 'Train of Gold' peaked at number 16 in Poland.

Radio' were strongly influenced by such Beatles tracks as 'I Am The Walrus' and 'Strawberry Fields Forever.' Despite the experimental nature of the album (or perhaps because of it) it charted on both sides of the Atlantic. The more mainstream '10538 Overture' became a top ten hit in the UK. The original LP was mixed in Quadrophonic sound but was only released in this format in South America.

Electric Light Orchestra's official music video for 'Last Train To London'. Click to listen to Electric Light Orchestra on Spotify: As featured on The Essential Electric Light Orchestra. Click to buy the track or album via iTunes: Google Play: Amazon: More From Electric Light Orchestra Livin' Thing: Don't Bring Me Down: Hold On Tight: More great 80s videos here: Follow Electric Light Orchestra Website: Facebook: Subscribe to Electric Light Orchestra on YouTube: --------- Lyrics: It was 9-29,9-29 back street big city. The sun was going' down,there was music all around It felt so right. It was one of those nights,one of those nights when you feel the world stop turnin',you were standing There,there was music in the air.I should have been Away,but I knew I'd have to stay.

' ( cover) Chuck Berry 8:07 Side two No. Title Length 4.

In summary, ELO 2 is for two audiences: the 70'S prog rock fan and the ELO Completist who must have everything they have done. It would be a challenge for the fan of Out of the Blue or Discovery.

Title Lead vocals Length 1. ' () Jeff Lynne, Roy Wood 5:32 2.

The original album art was designed by Hipgnosis and the photographs of the band on the back of the album cover, dressed in seventeenth century period costume, were taken at the Banqueting House in Whitehall, adding to the Baroque flavor and emphasis on Stuart Britain found on the record. Radio' was intended to be the second single from the album, but was subsequently withdrawn. This edition remastered at Abbey Road Studios from the original analogue master tapes by Peter Mew under the supervision of Jeff Lynne. 'This is a pretty wacky album, so innocent yet so bold. It goes to some really strange places.' Jeff Lynne ”This was certainly the birth of E.L.O.

Last train to London,just headin' out, Last train to London,just leavin' town. But I really want tonight to last forever I really wanna be with you. Let the music play on down the line tonight.

Recorded at Long Beach Auditorium on May 12, 1974, 's was a limited release in a handful of countries in the mid-'70s. The show was unusually raw and spirited, and the resulting performance is ferocious, like little else the band ever delivered. The material is all rooted in the group's first three albums. 'Daybreaker,” 'Showdown,' and 'In the Hall of the Mountain King' are juxtaposed with '10538 Overture' and robust covers of 'Day Tripper,' 'Orange Blossom Special' (with a solo violin spot), and 'Great Balls of Fire,' with the band's version of 'Roll Over Beethoven' as the finale. The album pre-dates 's emergence as a major international act by perhaps a year, and captures them playing the material upon which their basic sound was formed and cast. 's sinewy guitar playing, in particular, is extraordinary and 's lunatic rolls and fills on 'Roll Over Beethoven' might've made even a little dizzy.

'Whisper in the Night' () (take 1) 5:00 Personnel [ ] • –,,,,,, • – vocals,,, bass,,,,,,, percussion,, • –,, percussion • Bill Hunt –,, • Steve Woolam – Chart positions [ ] • UK – number 32 • US – number 196 • AUS – number 54 References [ ]. •,, 19 December 2012 • Mason, Stewart. • (August 1972).. Retrieved January 19, 2018.

'Nellie Takes Her Bow (Alternate )' (Lynne) 6:02 12. Radio (Take 9)' (Lynne) 5:19 13. '10538 Overture (Alternate mix)' (Lynne) 5:46 Bonus tracks (40th Anniversary Edition) No. Title Length 10. '10538 Overture (Acetate version)' (Lynne) 5:23 11.

Title Writer(s) Length 1. 'In Old England Town (Boogie No. 'Roll Over Beethoven' Berry 7:03 4. 'From the Sun to the World (Boogie No. 'Kuiama' 11:19 Bonus tracks No. Title Writer(s) Length 6. 'Showdown' 4:11 7.

'Nellie Takes Her Bow (Alternate mix)' (Lynne) 6:02 13. 'Whisper in the Night (Take 1/Take 2 edit)' (Wood) 4:59 14. Radio (Single edit)' (Lynne) 3:56 15. '10538 Overture (for )' (Lynne) 4:42 The Electric Light Orchestra (First Light Series) [ ] The Electric Light Orchestra (First Light Series) by Released 2001 Recorded July 1970 – June 1972 Harvest, Roy Wood, Jeff Lynne chronology (2001) 2001 The Electric Light Orchestra (First Light Series 30th Anniversary Edition) (2001) (2003) 2003 CD 2 First Light. First Light cover Professional ratings Review scores Source Rating Artistdirect.com The Electric Light Orchestra (First Light Series) is a two disc expanded special 30th anniversary edition of their debut album.

Contents • • • • • • • • • • Recording [ ] The album is focused on the core trio of, and, who were the remaining members of rock group. The Move were still releasing singles in the UK at the same time as this project was undertaken, but interest was soon to be abandoned in Wood's former band.

'Look at Me Now' Wood 3:17 3. 'Nellie Takers Her Bow' Lynne 3:17 4. 'The Battle of Marston Moor (July 2nd 1644)' Wood 6:03 5.

'10538 Overture (Acetate version)' (Lynne) 5:23 11. Radio (Take 9, recorded 18 November 1970)' (Lynne) 5:18 12. 'Nellie Takes Her Bow (Alternate mix)' (Lynne) 6:02 13.

'From the Sun to the World (Boogie No. 1)' ( Session) 7:25 3. 'Momma' (BBC Session) 6:57 4. 'Roll Over Beethoven' (single version) Berry 4:35 5. 'Showdown' (Take 1) 6.

Stereo imaging is very simplistic in the sense that vocals are in the middle most of the time and instruments emanating directly from either speaker. It makes it hard to focus on individual performances of the musicians sometimes, particularly drums on most of side A, and while I admit that some vocals might sound recessed and distorted as an artistic choice it leaves more to be desired. Only on Side B does the dynamics and presence of the music take it up a notch as a whole.

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'Look at Me Now' () 3:19 4. 'Nellie Takes Her Bow' (quad mix) 5:59 5. 'Battle of Marston Moor (July 2nd, 1644)' (quad mix) 5:55 6. 'Jeff's Boogie No. 2' (live) (early version of 'In Old England Town') 6:58 7. 'Whisper in the Night' (live) 5:45 8.

That doesn't mean that it isn't thoroughly entertaining, however -- the quad mixes bring out details in the playing and arrangements that were previously hidden, and they also make for fascinating listening (it would be nice to assemble a definitive, complete quad mix of Electric Light Orchestra someday). Additionally, the live track is a good document of 's early live sound, before their shows became vehicles for massive laser-light shows and other distractions, showing off an impromptu jam between violin and lead guitar for a bridge to the finale and completely different from what the band finally did with the song in the studio. Further, the sound is killer throughout, which should be of special interest to American listeners -- the catalog on this side of the Atlantic has never received a proper upgrade, whereas in England (where, curiously, the group struggled to find an audience) their upgraded CDs are now getting appended and expanded in new directions with releases such as this.

1.-Turn to Stone 2.-It's Over 3.-Sweet Talkin' Woman 4.-Across the Border 5.-Night in the City 6.-Starlight 7.-Jungle 8.-Believe Me Now 9.-Steppin' Out (Concerto for a Rainy Day) 10.-Standin' in the Rain 11.-Big Wheels 12.-Summer and Lightning 13.-Mr. Blue Sky 14,-Sweet Is the Night 15.-The Whale 16.-Birmingham Blues 17.-Wild West Hero Out of the Blue is the seventh studio album by the British rock group Electric Light Orchestra (ELO), released in October 1977. Written and produced by ELO frontman Jeff Lynne, the double album is among the most commercially successful records in the group's history, selling about 10 million copies worldwide. Jeff Lynne wrote the entire album in three and a half weeks after a sudden burst of creativity while hidden away in his rented chalet in the Swiss Alps.